The lighting was very important to bring our art style together. We had a couple of narrative and environment elements we knew we had to...

For the first part of development, our game was 50% combat, 50% walking sim. If you weren’t fighting, you were looking for something...

When it comes to a fixed camera, one of the biggest issues that comes up is objects blocking your screen when you walk behind something...

Last time, when we talked about improvements in a procedural environment, I briefly mentioned the topics of wayfinding and mini-maps....

As a procedural systems designer, you start to realize that different things you have created can very quickly take on lives of their...

When creating our procedurally generated city, we've split things up into a number of categories and sub-categories. Two of these main...

The original concept was to create a system that was relatively random, having roads that darted left and right in a random zig-zag...

As with our level design, we wanted to allow for flexibility and modularity in our material work. As opposed to painting...

Since Project Pulse’s environment is procedurally generated, we had to set-dress the city block by block. Our focus here was to make our...

As we were concepting the idea of Project Pulse, we were actively toying around with the idea that we could use procedurally generated...

Once we decided on the overall theme and design of this game, those in and out of the art team took a day to gather up images and create...